How To Apply IOD Transfers on Duck Canvas Fabric

How To Apply IOD Transfers on Duct Canvas Fabric
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Spring is like a breath of fresh air after a long winter. It’s the season that makes us want to freshen up our spaces and welcome a little warmth back into our homes. That’s exactly where today’s project comes in. Our lovely IOD Artisan Lisa Lorincz is sharing a beautifully detailed mixed media piece using the Wreath & Swags Mould, Madeleine Transfer, and Saint Ouen Transfer from the 2026 Spring Collection. She walks us through her step-by-step process for applying transfers to duct canvas fabric and building a luxurious finish with IOD Moulds. If you love projects with lots of layers, painterly texture, and a little “found it at a European flea market” energy…this one’s for you.


Gather your IOD goodies from your local stockist! If you’re not sure where to find one, click here to use our store locator. ❤️

IOD Products Needed:

Other Supplies:

  • 12” x 16” Wood Blank
  • 5” x 12” Wood Blank
  • Primed Duct Canvas
  • Heavy Body Gel
  • Dark Cream Chalk Type Paint*
  • Light Cream Chalk Type Paint*
  • Sandy Blonde Chalk Type Paint*
  • Black and Charcoal Grey Chalk Type Paint*
  • Gold Metallic Paint
  • Black Glaze
  • Sealer

*we used a chalk-type paint in this tutorial, but there are many brands and types of paint, talk to your stockist to learn which one is right for you!

Step by Step Guide: How To Apply IOD Transfers on Duck Canvas Fabric

STEP ONE: PREP RESIN CASTINGS & BOARD

Lisa starts with the new Wreath & Swags Mould, casting in black resin. It’s such a smart move because that dark resin base does a lot of the heavy lifting—once she applies a lighter paint, the contrast is striking.


Working on a smaller board, she keeps everything beautifully balanced with thoughtful placement and a bit of trimming, making sure the wreath and swags are arranged in a way that feels harmonious and intentional.

Step 1
Step 1

STEP TWO: PAINT THE DUCT CANVAS 

Lisa's base is a primed duct canvas, measured and torn to create a textured finish. She works with cream, sandy blonde, gray, and warm brown paints, layering each hue to build a delicate base on her duct canvas. While the canvas dries, she moves to the top board and applies a sandy blonde base. Apply a coat of sealer and allow time to dry completely. 

Step 2
Step 2

STEP THREE: LAYERING WITH PAINT ON IOD MOULDS

Lisa uses metallic paint to show off the Wreath & Swags details, adding touches of gold to those ornate details. Then she deepens everything with a black glaze, letting the shadows settle into the crevices.

Step 3
Step 3

STEP FOUR: ATTACH THE CANVAS & BOARD 

Lisa paints a dark, shadowed edge around the baseboard perimeter so it peeks out beneath the canvas. She attaches the canvas with heavy body gel, securing it firmly along the top (where the “cornice” will sit) and only in the center below, so the edges stay loose. Then apply heavy body gel to the back of the smaller board, clamp it in place, and let everything dry overnight.

Step 4

STEP FIVE: ARRANGE AND APPLY TRANSFERS 

Lisa takes her time lining up the transfers, making sure each element lands just where it belongs. And when a fuller bouquet starts to feel a bit too busy for the composition, she pivots so effortlessly, pulling in typography from the Saint Ouen Transfer.

Step 5
Step 5

STEP SIX: FINAL TOUCHES WITH METALLIC PAINT 

Using a pale gold metallic paint, lightly drag your brush over the high points of the Wreath & Swags details to catch the raised areas, then dry brush a little of the same gold along the edges of the “cornice” board and pull it gently into the piece so it feels cohesive.


Next, Lisa applies a black glaze to the wooden portion at the top and wipes it back so the glaze settles into the low points of the mould, then uses a touch more glaze to create a soft shadow line underneath the board and along the canvas edges.

Step 6
Step 6

If you're just kicking off your creative journey, have no fear — our Product 101 pages are packed with straightforward techniques to set you up for success. We're thrilled to accompany you as you explore and create. For more how-tos and creative inspo, make sure to browse through the rest of our blog.


Once you've crafted your final piece, share it with our Facebook Creative Tribe! This community is not just a showcase but also a supportive hub for when you hit those creative roadblocks. And remember, your local stockist is always ready to assist with IOD supplies and expert advice. We're excited to see what you'll bring to life!

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How To Apply IOD Transfers on Duck Canvas Fabric

How To Apply IOD Transfers on Duct Canvas Fabric
Pin this article to save for later

Spring is like a breath of fresh air after a long winter. It’s the season that makes us want to freshen up our spaces and welcome a little warmth back into our homes. That’s exactly where today’s project comes in. Our lovely IOD Artisan Lisa Lorincz is sharing a beautifully detailed mixed media piece using the Wreath & Swags Mould, Madeleine Transfer, and Saint Ouen Transfer from the 2026 Spring Collection. She walks us through her step-by-step process for applying transfers to duct canvas fabric and building a luxurious finish with IOD Moulds. If you love projects with lots of layers, painterly texture, and a little “found it at a European flea market” energy…this one’s for you.


Gather your IOD goodies from your local stockist! If you’re not sure where to find one, click here to use our store locator. ❤️

IOD Products Needed:

Other Supplies:

  • 12” x 16” Wood Blank
  • 5” x 12” Wood Blank
  • Primed Duct Canvas
  • Heavy Body Gel
  • Dark Cream Chalk Type Paint*
  • Light Cream Chalk Type Paint*
  • Sandy Blonde Chalk Type Paint*
  • Black and Charcoal Grey Chalk Type Paint*
  • Gold Metallic Paint
  • Black Glaze
  • Sealer

*we used a chalk-type paint in this tutorial, but there are many brands and types of paint, talk to your stockist to learn which one is right for you!

Step by Step Guide: How To Apply IOD Transfers on Duck Canvas Fabric

STEP ONE: PREP RESIN CASTINGS & BOARD

Lisa starts with the new Wreath & Swags Mould, casting in black resin. It’s such a smart move because that dark resin base does a lot of the heavy lifting—once she applies a lighter paint, the contrast is striking.


Working on a smaller board, she keeps everything beautifully balanced with thoughtful placement and a bit of trimming, making sure the wreath and swags are arranged in a way that feels harmonious and intentional.

Step 1
Step 1

STEP TWO: PAINT THE DUCT CANVAS 

Lisa's base is a primed duct canvas, measured and torn to create a textured finish. She works with cream, sandy blonde, gray, and warm brown paints, layering each hue to build a delicate base on her duct canvas. While the canvas dries, she moves to the top board and applies a sandy blonde base. Apply a coat of sealer and allow time to dry completely. 

Step 2
Step 2

STEP THREE: LAYERING WITH PAINT ON IOD MOULDS

Lisa uses metallic paint to show off the Wreath & Swags details, adding touches of gold to those ornate details. Then she deepens everything with a black glaze, letting the shadows settle into the crevices.

Step 3
Step 3

STEP FOUR: ATTACH THE CANVAS & BOARD 

Lisa paints a dark, shadowed edge around the baseboard perimeter so it peeks out beneath the canvas. She attaches the canvas with heavy body gel, securing it firmly along the top (where the “cornice” will sit) and only in the center below, so the edges stay loose. Then apply heavy body gel to the back of the smaller board, clamp it in place, and let everything dry overnight.

Step 4

STEP FIVE: ARRANGE AND APPLY TRANSFERS 

Lisa takes her time lining up the transfers, making sure each element lands just where it belongs. And when a fuller bouquet starts to feel a bit too busy for the composition, she pivots so effortlessly, pulling in typography from the Saint Ouen Transfer.

Step 5
Step 5

STEP SIX: FINAL TOUCHES WITH METALLIC PAINT 

Using a pale gold metallic paint, lightly drag your brush over the high points of the Wreath & Swags details to catch the raised areas, then dry brush a little of the same gold along the edges of the “cornice” board and pull it gently into the piece so it feels cohesive.


Next, Lisa applies a black glaze to the wooden portion at the top and wipes it back so the glaze settles into the low points of the mould, then uses a touch more glaze to create a soft shadow line underneath the board and along the canvas edges.

Step 6
Step 6

If you're just kicking off your creative journey, have no fear — our Product 101 pages are packed with straightforward techniques to set you up for success. We're thrilled to accompany you as you explore and create. For more how-tos and creative inspo, make sure to browse through the rest of our blog.


Once you've crafted your final piece, share it with our Facebook Creative Tribe! This community is not just a showcase but also a supportive hub for when you hit those creative roadblocks. And remember, your local stockist is always ready to assist with IOD supplies and expert advice. We're excited to see what you'll bring to life!

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